Adam Yauch, a.k.a. MCA, was an artmonk

In honor of Adam Yauch, a.k.a. MCA (one of the founders of the Beastie Boys) who died of cancer this morning, here’s “Bodhisattva Vow”:

“In addition to his career with the Beastie Boys, Yauch was heavily involved in the movement to free Tibet. A founder of the Milarepa Fund, Yauch was instrumental in the first Tibetan Freedom Concert in San Francisco’s Golden Gate Park 1996, which drew 100,000 people – the largest U.S. benefit concert since 1985′s Live Aid. After 9/11, Yauch and the Beastie Boys organized New Yorkers Against Violence, a concert benefit for some of the victims least likely to receive help from elsewhere. ”

As I develop the awakened mind
I praise the buddhas as they shine
I bow before you as I travel my path
To join your ranks, I make my full time task

For the sake of all beings I seek
The enlightened mind that I know I’ll reap
Respect to Shantideva and all the others
Who brought down the dharma for the sisters and brothers

I give thanks for this world as a place to learn
And for this human body that I know I’ve earned
And my deepest thanks to all sentient beings
For without them there would be no place to learn what I’m seeing

There’s nothing here thats not been said before
But I put it down now so that I’ll be sure
To solidify my own views
And I’ll be glad if it helps anyone else out too

If others disrespect me and give my flack
I’ll stop and think before I react
Knowing that they’re going through insecure stages
I’ll take the opportunity to exercise patience

I’ll see it as a chance to help the other person
Nip it in the bud before it can worsen
A chance for me to be strong and sure
As I think on the Buddhas who have come before

As I praise and respect the good they’ve done
Knowing only love can conquer hate in every situation
We need other people in order to create
The circumstances for the learning that we’re here to generate

Situations that bring up our deepest fears
So that we can work to release them until they’ve cleared
Therefore, it only make sense
To thank our enemies despite their intent

The Bodhisattva path is one of power and strength
A strength from within to go the length
Seeing others are as important as myself
I strive for a happiness of mental wealth

With the interconnectedness that we share as one
Every action that we take affects everyone
So in deciding for what a situation calls
There is a path for the good of all

I try to make my every action for that highest good
With the altruistic wish to achieve buddahood
So I pledge here before everyone who’s listening
To make my every action for the good of all beings

For the rest of my lifetimes and
Even beyond I vow to do my best to do no harm
And in times of doubt i can think on the dharma
And the enlightened ones who’ve graduated Samsara

Read more:http://www.rollingstone.com/music/news/beastie-boys-co-founder-adam-yauch-dead-at-48-20120504#ixzz1txlXXHHG

Thomas Merton: “Contemplation cannot construct a new world by itself”

Thomas Merton, in the introduction to the Spanish language edition to his complete works:

Contemplation cannot construct a new world by itself. Contemplation does not feed the hungry; it does not clothe the naked… and it does not return the sinner to peace, truth, and union with God. But without contemplation we cannot see what we do… Without contemplation we cannot understand the significance of the world in which we must act. Without contemplation we remain small, limited, divided, partial; we adhere to the insufficient, permanently united to our narrow group and its interests, losing sight of justice and charity, seized by the passions of the moments… Without contemplation, without the intimate, silent, secret pursuit of truth through love, our action loses itself in the world and becomes dangerous.

Winner of Otherhood’s “The Artist’s Rule” Comment Contest: Cole Matson

For his comment on Otherhood Podcast: Episode 1 with Christine Valters Paintner, Cole Matson is hereby awarded a copy of Paintner’s book, “The Artist’s Rule.” The comments were all great, and the decision was a hard one.

The passion and devotion Matson offers in his poetry really captured my attention, though. And I’m a sucker for the old mystics.

The winning comment:

Nathan and Christine,

Thank you for this wonderful podcast. It was good for me to hear the effect that being a Benedictine oblate has had on Christine’s artistic practice, as I am considering oblation myself.

In support of contemplation bearing fruit in artistic creation (as in a motto of the Dominican Order, “to contemplate and to share the fruits of contemplation”), I thought I’d share with you a couple of the poems that arose out of a recent Ignatian silent retreat, after I had been reading John of the Cross and Lady Julian of Norwich.

“For John of the Cross”

Lord, let me love You
with the flame of ten thousand fires.

Let me love You
with a flame that dries and crackles,

burns and blackens the crust of my soul,
hides deep down in the heart of things,

to warm and beat,
flickering forth with tongues of fire

to burst through the shell of my cindered soul,
and leap to dance as love again.

Lord, make me all flame.

“For Lady Julian”

Lord, teach me to love my weaknesses
as Lady Julian loved hers,
seeing that the soiled, torn stain of our sins
blackening the white cloth of our humanity
was such a little nothing
because that cloth was worn by Christ,
who picked us up out of the Pit
and sat us next to Him at table,
with His Father and His Spirit,
all of us dazzling white,
with the wounds we ripped into our flesh
shining scars praising God’s glory,
His merciful meaning: ‘Love’.

Blessings on your work.

Cole

Runners up

I loved this, from Greene Fyre, via facebook:

To oblate in clarity, nor obtuse. To endeavor obscurity: a recluse? Divining the divine: propinquity. A pursuit sublime from antiquity.

Thanks also to Donelda Seymore, Genora W. Powell, Jaqui du Rocher, Jann Durkin and many others for your thoughtful reflections.

Contact nathan@artmonastery.org if you’re interested in joining our Artmonk Reading Group, where we’re about to go through The Artist’s Rule together.

Laura Riding was an artmonk

“The mercy of truth – it is to be truth.”

In reading Paul Auster’s fantastic collection of essays, The Art of Hunger, I came across Truth, Beauty, Silence, a stunning look at Laura Riding’s life and work. As the poets she influenced (Auden, Ashbery, etc.) are among my favorites, I have read a little of her work before, but Auster’s take has compelled me to look again at this enigmatic artmonk.

“The World And I”, by Laura (Riding) Jackson:

This is not exactly what I mean
Any more than the sun is the sun.
But how to mean more closely
If the sun shines but approximately?
What a world of awkwardness!
What hostile implements of sense!
Perhaps this is as close a meaning
As perhaps becomes such knowing.
Else I think the world and I
Must live together as strangers and die—
A sour love, each doubtful whether
Was ever a thing to love the other.
No, better for both to be nearly sure
Each of each—exactly where
Exactly I and exactly the world
Fail to meet by a moment, and a word.

Riding was prolific from the early 1920′s until 1938, at which point she reached, in her words, “a crisis point at which division between craft and creed reveals itself to be absolute.” She then abandoned poetry to pursue truth elsewise. A prose work published in 1967 called “The Telling” gives us an impression of what it was she had pursued in poetry that she felt she had to renounce poetry to attain.

There is something to be told about us for the telling of which we all wait. In our unwilling ignorance we hurry to listen to stories of old human life, new human life, fancied human life, avid of something to while away the time of unanswered curiosity. We know we are explainable, and not explained. Many of the lesser things concerning us have been told but the greater things have not been told; and nothing can fill their place. Whatever we learn of what is not ourselves, but ours to know, being of our universal world, will likewise leave the emptiness an emptiness. Until the missing story of ourselves is told, nothing besides told can suffice us: we shall go on quietly craving it.

Elsewhere she writes:

To a poet the mere making of a poem can seem to solve the problem of truth…But only a problem of art is solved in poetry. Art, whose honesty must work through artifice, cannot avoid cheating truth. Poetic art cheats truth to further and finer degrees than art of any other kind because the spoken word is its exclusive medium…

There might be a Laura Riding a the heart of every art monastery. Someone for whom the questions of art and truth are primary (e.g. “What is the value of art?”, “Is art perhaps not just a distraction from truth?”, “To make art, or not to make art? To make art or to wake up?”) would act as a necessary force of challenge to the art being made. Of course, also at the heart of every art monastery are artmonks for whom those questions are resolved already, as well as artmonks for whom there are no questions of art at all, for who there is only the making of art.

In order to make art that is art monastic art, and to make it better and better, each of these artmonk archetypes is important.

Read Auster’s essay (minus the first two pages!) here (he has another, short essay on her, “Itinerary”, if you can get your hands on it).

Read more about Riding here.

Read Marjorie Perloff’s critical essay on Riding’s language philosophy (“the Witch of Truth”) here.

Shi Yongxin, “CEO Monk” and abbot of the Shaolin Temple

Buddhism is the dominant religion in China, with as many as 300 million believers across the country. Like other forms of Buddhism, Zen emphasizes letting go of worldly cares and working toward enlightenment through meditation and practice of the Buddha’s teachings, which include a ban on harming any sentient beings. As its home, and the centerpiece of many kung fu novels and films, the Shaolin Temple has become an integral part of Chinese popular culture. In fact, it is probably one of the most famous global brands to have come out of China in any industry, thanks in no small part to the abbot, whom Chinese media have dubbed the “CEO monk.”

via Lunch with Shi Yongxin, the abbot of the Shaolin Temple. – By Jamil Anderlini – Slate Magazine.

“the simple way” » 12 Marks of New Monasticism

Through a google alert pointing me to this article, I just stumbled on The Simple Way, “a community in inner-city Philadelphia that has helped birth and connect radical faith communities around the world.”

I am looking forward to exploring more. But first, I love this clear exposition of their values (how many elements of monasticism can you count?):

  1. Relocation to the abandoned places of Empire.
  2. Sharing economic resources with fellow community members and the needy among us.
  3. Hospitality to the stranger
  4. Lament for racial divisions within the church and our communities combined with the active pursuit of a just reconciliation.
  5. Humble submission to Christ’s body, the church.
  6. Intentional formation in the way of Christ and the rule of the community along the lines of the old novitiate.
  7. Nurturing common life among members of intentional community.
  8. Support for celibate singles alongside monogamous married couples and their children.
  9. Geographical proximity to community members who share a common rule of life.
  10. Care for the plot of God’s earth given to us along with support of our local economies.
  11. Peacemaking in the midst of violence and conflict resolution within communities along the lines of Matthew 18.
  12. Commitment to a disciplined contemplative life.

via about the simple way » 12 Marks of New Monasticism.

Otherhood, the Podcast: Episode 1, Christine Valters Paintner and “The Artist’s Rule”

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Meet Otherhood, the Podcast.

In this, the first episode, I interview Christine Valters Paintner about her new book (the Artist’s Rule: Nurturing Your Creative Soul With Monastic Wisdom), the oblate life, and what it means to be both an artist and a monk.

BTW, we’re giving away a free copy of the Artist’s Rule to whomever leaves the best comment on this post. Just sayin’.

Tolle on Collective Egos vs. Enlightened Collectives

How have the various monastic traditions embodied the two possibilities that Tolle writes about below?

“How hard is it to live with yourself? One of the ways in which the ego attempts to escape the unsatisfactoriness of personal self hood is to enlarge and strengthen its sense of self by identifying with a group—a nation, political party, corporation, institution, sect, club, gang, football team.

In some cases the personal ego seems to dissolve completely as someone dedicates his or her life to working selflessly for the greater good of the collective without demanding personal rewards, recognition, or aggrandizement. What a relief to be freed of the dreadful burden of personal self. The members of the collective feel happy and fulfilled, no matter how hard they work, how many sacrifices they make. They appear to have gone beyond ego. The question is: Have they truly become free, or has the ego simply shifted from the personal to the collective?

A collective ego manifests the same characteristics as the personal ego, such as the need for conflict and enemies, the need for more, the need to be right against others who are wrong, and so on. Sooner or later, the collective will come into conflict with other collectives, because it unconsciously seeks conflict and it needs opposition to define its boundary and thus its identity. Its members will then experience the suffering that inevitably comes in the wake of any ego-motivated action. At that point, they may wake up and realize that their collective has a strong element of insanity.

It can be painful at first to suddenly wake up and realize that the collective you had identified with and worked for is actually insane. Some people at that point become cynical or bitter and henceforth deny all values, all worth. This means that they quickly adopted another belief system when the previous one was recognized as illusory and therefore collapsed. They didn’t face the death of their ego but ran way and reincarnated into a new one.

A collective ego is usually ore unconscious than the individuals that make up that ego. For example, crowds (which are temporary collective egoic entities) are capable of committing atrocities that the individual away from the crowd would not be. Nations not infrequently engage in behavior that would be immediately recognizable as psychopathic in an individual.

As the new consciousness emerges, some people will feel called upon to form groups that reflect the enlightened consciousness. These groups will not be collective egos. The individuals who make up these groups will have no need to define their identity through them. They no longer look to any form to define who they are. Even if the members that make up those groups are not totally free of ego yet, there will be enough awareness in them to recognize the ego in themselves or in others as soon as it appears. However, constant alertness is required since the ego will try to take over and reassert itself in any way it can.

Dissolving the human ego by bringing it into the light of awareness—this will be one of the main purposes of these groups, whether they be enlightened businesses, charitable organizations, schools, or communities of people living together. Enlightened collectives will fulfill an important function in the arising of the new consciousness. Just as egoic collectives pull you into unconsciousness and suffering, the enlightened collective can be a vortex for consciousness that will accelerate the planetary shift.

—from “A New Earth”, by Eckhart Tolle, via here.