“the simple way” » 12 Marks of New Monasticism

Through a google alert pointing me to this article, I just stumbled on The Simple Way, “a community in inner-city Philadelphia that has helped birth and connect radical faith communities around the world.”

I am looking forward to exploring more. But first, I love this clear exposition of their values (how many elements of monasticism can you count?):

  1. Relocation to the abandoned places of Empire.
  2. Sharing economic resources with fellow community members and the needy among us.
  3. Hospitality to the stranger
  4. Lament for racial divisions within the church and our communities combined with the active pursuit of a just reconciliation.
  5. Humble submission to Christ’s body, the church.
  6. Intentional formation in the way of Christ and the rule of the community along the lines of the old novitiate.
  7. Nurturing common life among members of intentional community.
  8. Support for celibate singles alongside monogamous married couples and their children.
  9. Geographical proximity to community members who share a common rule of life.
  10. Care for the plot of God’s earth given to us along with support of our local economies.
  11. Peacemaking in the midst of violence and conflict resolution within communities along the lines of Matthew 18.
  12. Commitment to a disciplined contemplative life.

via about the simple way » 12 Marks of New Monasticism.

Tolle on Collective Egos vs. Enlightened Collectives

How have the various monastic traditions embodied the two possibilities that Tolle writes about below?

“How hard is it to live with yourself? One of the ways in which the ego attempts to escape the unsatisfactoriness of personal self hood is to enlarge and strengthen its sense of self by identifying with a group—a nation, political party, corporation, institution, sect, club, gang, football team.

In some cases the personal ego seems to dissolve completely as someone dedicates his or her life to working selflessly for the greater good of the collective without demanding personal rewards, recognition, or aggrandizement. What a relief to be freed of the dreadful burden of personal self. The members of the collective feel happy and fulfilled, no matter how hard they work, how many sacrifices they make. They appear to have gone beyond ego. The question is: Have they truly become free, or has the ego simply shifted from the personal to the collective?

A collective ego manifests the same characteristics as the personal ego, such as the need for conflict and enemies, the need for more, the need to be right against others who are wrong, and so on. Sooner or later, the collective will come into conflict with other collectives, because it unconsciously seeks conflict and it needs opposition to define its boundary and thus its identity. Its members will then experience the suffering that inevitably comes in the wake of any ego-motivated action. At that point, they may wake up and realize that their collective has a strong element of insanity.

It can be painful at first to suddenly wake up and realize that the collective you had identified with and worked for is actually insane. Some people at that point become cynical or bitter and henceforth deny all values, all worth. This means that they quickly adopted another belief system when the previous one was recognized as illusory and therefore collapsed. They didn’t face the death of their ego but ran way and reincarnated into a new one.

A collective ego is usually ore unconscious than the individuals that make up that ego. For example, crowds (which are temporary collective egoic entities) are capable of committing atrocities that the individual away from the crowd would not be. Nations not infrequently engage in behavior that would be immediately recognizable as psychopathic in an individual.

As the new consciousness emerges, some people will feel called upon to form groups that reflect the enlightened consciousness. These groups will not be collective egos. The individuals who make up these groups will have no need to define their identity through them. They no longer look to any form to define who they are. Even if the members that make up those groups are not totally free of ego yet, there will be enough awareness in them to recognize the ego in themselves or in others as soon as it appears. However, constant alertness is required since the ego will try to take over and reassert itself in any way it can.

Dissolving the human ego by bringing it into the light of awareness—this will be one of the main purposes of these groups, whether they be enlightened businesses, charitable organizations, schools, or communities of people living together. Enlightened collectives will fulfill an important function in the arising of the new consciousness. Just as egoic collectives pull you into unconsciousness and suffering, the enlightened collective can be a vortex for consciousness that will accelerate the planetary shift.

—from “A New Earth”, by Eckhart Tolle, via here.

Monks for life? « Madhushala

Madhushala asks about the length and permanence of monastic vows in different traditions, and gets some interesting responses:

Monks for life?

There was a discussion on Twitter recently about the topic of monks disrobing. It is commonly thought that once monastic vows are taken they are for life. I did not think this was so as pretty well all the the temples of any Buddhist sect I have been to in Asia have a large number of younger people and very few older people.

My view was that a lot of the younger people come to get an education and many disrobe after that or as their families direct, hence the reason there are children there, and that many older people who do not become teachers retire.

So I put the question on Facebook to various monastic and priestly people and here are the responses I got.

Read more at Monks for life?

SHARE San Francisco

I’ll be here next weekend (May 7):

SHARE San Francisco, Saturday, May 7th, Hub SoMa

SHARE San Francisco is convening local leaders on Saturday May 7th for a day of connection, conversation, and action to strengthen the Bay Area as a platform for sharing.

Why SHARE SF?

Cities promise broad access to the resources citizens need to create great lives and contribute to the common good. Unfortunately, this promise is rarely realized.

However, an unprecedented opportunity to strive for freedom, prosperity and sustainability through sharing has emerged due to new technologies and sharing business models, intensifying urbanization, the empowerment of women and minorities, and a new generation’s preference for access versus ownership.

With this opportunity in mind, SHARE SF invites you to explore how to strengthen the Bay Area as a platform for sharing through an all-day unconference.

via Shareable: Announcing SHARE San Francisco.

See you there?

5/5/11 in Berkeley: “Artmonk Sangha: the Bay Area’s Ritual Laboratory for Artmonks”

Based on practices that we have been developing at the January 2010 & 2011 Artmonk Retreats in the Mojave Desert, these weekly (or semi-weekly) meetups will provide an opportunity for anyone in the Bay Area who is interested to explore the path of the artmonk.

DEFINITIONS:

  • “Artmonk”: someone who dwells (alone or in community) at the intersection of contemplation, creativity, and activism.
  • “Sangha”: the Pali/Sanskrit word for a Buddhist or Jain community, and refers either to a community of monks, or to a broader community of practicing individuals.
  • “Artmonk Sangha”: a practicing community of artmonks.

WHEN & WHERE

May 5th, 5:30-7:30pm

1798 Scenic Avenue

Doug Adams Gallery/Badè Museum, in Holbrook Hall,

Pacific School of Religion, Berkeley, CA

http://goo.gl/AR92d

Contact Nathan @ (510) 520-4747

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Contemplating Second Life

It’s been years since I stopped into Second Life, but here are a few spots for contemplatively inclined avatars:

Saint Francis Church and Monastery

“Saint Francis Church and Monastery offers a serene and quiet location perfect for personal reflection, meditation, prayer, or a religious service. Enjoy the stunning beauty of this tranquil island and take time to meander through the lush surroundings.” Visit this location.

Saint Catherine’s Monastery

“Based on its real-world counterpart in Sinai, Egypt, the monastery includes icons and a Library as well as the main Katholicon and the Mosaic of the Transfiguration.” Visit this location. Continue reading

Immanence

I’m heading off the grid for a week, but I really look forward to giving this more attention when I get back: ”artmonks: children of Thoreau & Whitehead,” a post by Adrian Ivakhiv.

If Thoreau’s quest to “live deliberately [...] and not, when I came to die, discover that I had not lived” were cross-bred with A. N. Whitehead’s insight that creativity is the driving core of all things in the universe, the “universal of universals,” then today’s “artmonks” are children not of Marx and Coca-Cola (as Godard once labeled the activists of the 1960s and Xiaoping Lin more recently called the Chinese artistic avant-garde), but children of Thoreau and Whitehead.

The monastic ideal has always been about living deliberately. And in a world that is rapidly outgrowing the secular-religious divide — becoming simultaneously post-secular, for those outgrowing the constraints of secularism, and post-religious, or at least post-traditional, for those no longer in obeisance to inherited religion — monasticism today is reinventing itself in interesting and creative ways. “Artmonks” are those who bring a mindful deliberation and dedication to the creative process, following it wherever it leads them. They are the monks of immanence, post-traditional devotees synthesizing the vita contemplativa with the vita activa in an age of Burning Man and the internet.

Ivakhiv lists a handful of outstanding artmonks:

Some others who’ve pursued their creative visions down whatever spiritual rabbitholes they led them include Joseph Beuys, Yves Klein, Marina Abramović, Stan Brakhage, Genesis P. OrridgeDavid Tibet, Robert Smithson, Nancy Holt, Andrei Tarkovsky, Derek Jarman, Carolee Schneemann, John Cage, Robert and Shana ParkeHarrison, Richard Long, Betsy Damon, Mary Beth Edelson, Vito Acconci, outsider artists like Henry Darger and Ferdinand Cheval, and on and on and on.

9/10

Via A Vow of Conversion:

They say that in any average monastery nine out of ten who come to try the life end up leaving. It’s all about handling the pressure of interpersonal relationships. Either you give up and go away or you stay and make it work. Ultimately there is only one way to make the monastic life work—by demonstrating the willingness to resolve conflict by forgiving others, asking their forgiveness, reconciling with them, and by humbling yourself even when you think you are right. This process does not take place in every monastery, and as a result the monasteries which are healthy are very, very healthy, while the monasteries that go bad go very, very bad. In either case, they serve as an example to the parish, either a good example or a bad example.

What monastic life, at its best, has to offer the parish is a vision of what the Kingdom is like when we make our relationships with other persons work, because ultimately healthy relationships – with other human persons and with God – are the only thing that matters.

—Monk Cosmas Shartz in the current issue of In Communion, journal of the Orthodox Peace Fellowship of the Protection of the Mother of God, February2011, p. 35, also available here.

Our English word “decimate” comes from the Latin for “to remove a tenth“. Do we have a word for “to leave a tenth behind”? It’s still a pretty bleak figure.

Shartz’s is one view of the relationship of the orthodox monastery and the parish—the lay religious. Monasteries do the hard work of living together in community, and the people watch in awe. Thus the separation and the covenant between the monastic and secular are a fairly clean, with only images and illusions (and money and prayer) passing between.

What’s next?

Creating an Art Monastery

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Living in intentional community is not for everyone—the idea triggers an autoimmune response in some people, for whom it might signify the sacrifice of personal autonomy and individuality—but once you develop a taste for the stuff, it doesn’t fade. I unabashedly love it.

Since I began this blog-inquiry into monasticism just six months ago, dissecting Taoism, Vedanta, Eastern and Western Christianity, as well as the various vehicles of Buddhism into what I have called the elements of monasticism, community is an element I haven’t written about directly much at all. Yet it figures in my mind as an important piece of what all monasticisms are aiming at. For those individuals who dwell in abbeys, ashrams, friaries, priories, sketes, lavras, mathas, mandirs, koils, gompas, lamaseries, wats, viharas, community is a powerful spiritual practice.

So we’re making a monastery.

No, it’s not the one pictured above—the famous Cluny Abbey, founded in 910 by William the First of Aquitaine—which I include in this post because, although it grew into something massive (such a symbol of opulence that it was destroyed during the French Revolution), it started out modestly enough. William donated his Burgundy hunting preserve and an abbey was born.

Starting out even more modestly, we are making an Art Monastery in the San Francisco Bay Area.

I met Art Monastery Project co-founders Betsy McCall and Christopher Fülling in April of 2008, a few months after they had moved to Italy to start the pilot Art Monastery, and a couple months before I received an MBA in Sustainable Community Economic Development from BGI. I volunteered for the Art Monastery Project in Italy for 17 months out of the next two years.

Last October, I moved to the Bay Area to be with my fiancée, Phoebe, and to start a new Art Monastery here. Since then, between the 8-night Artmonk Retreat and four chapter meetings in Berkeley and San Francisco, after conversations with Phoebe, Joel, Michelle, Tom, Nancy, Annette, Derek, David, Lesley, Eden, and a dozen others, I have a rough idea for how to make it happen.

As I learned in Italy, birthing a self-sustaining community of monastically-inspired artists is an almost unbearably hard and tortuous process. Yet, as far as I and a few others are concerned, there’s nothing more valuable, nothing worthier of our time and our steady effort (aside from, perhaps, practices of contemplation and art-making).

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